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Razor's Edge

By Tim Gaiser, MS.

Wilhelm Weil discussing the 2001 vintage video

"White wine is electricity." James Joyce

June 2002;
Last night I helped out with a benefit dinner/silent auction in Napa for a good friend and colleague in the wine business. After pouring wine for the attendees I was seated at a table for dinner and plied with wine questions throughout the meal from the other diners. At some point I was asked, "what's your favorite white wine?" "German Riesling," was my reply and it was quickly followed by a stunned silence. Finally someone ventured to say, "but they're so ... sweet ..." Such is the fate, and common misconception, of German Riesling here in the U.S. In fact I would go as far as to say that German Riesling is the Rodney Dangerfield of the wine world: it doesn't get any respect. I completely understand why. My own early experiences with the ill-fated grape were of Blue Nun and the like: insipid, vacuous, sweet plonk worthy only of a blending tank or bag-in-a-box at best. I never had the slightest inkling that Riesling could be something complex and profound.

A recent visit to Robert Weil in Germany's Rheingau region proved all this and more. The estate is owned by Suntory, the Japanese drinks giant. And though the history of the wine and spirits industry is full of disastrous mergers and acquisitions by foreign investors, this is one instance where the marriage has worked to perfection. Under Suntory's umbrella and the strong leadership of Wilhelm Weil (fourth generation), the estate has remained one of Germany's very best over the last decade. In fact, Hugh Johnson once called Robert Weil's Kiedricher Gräfenberg Trockenbeerenauslese the greatest white wine in the world. Having tasted several vintages of this ambrosia, I'm not one to argue.

The Gräfenberg is one of the Rheingau's greatest sites. Weil owns some nine of eleven hectares of the vineyard, itself a long steep slope with a perfect southerly exposure. Legend has it that when the Romans decided to plant vineyards in what is now the Rheingau, they watched the slopes from the opposite shore of the river to see where the snows first melted. One can only assume that the Gräfenberg was one of these prized sites. The soil profile is also unique. It's heavy and dense with gravel-phyllite and portions of loam and loess. It also contains a good deal of slate unlike other parts of the Rheingau. The Riesling grown here reflects the rich, slatey soil with its depth of flavor, concentration and sheer power.

The style of the Robert Weil Rieslings is one of exceptional purity of fruit with the Gräfenberg terroir front and center--all supported by acidity that is at times shocking, if not bracing. Jochen Becker-Köhn, export manager for the estate, has told me more than once that the Gräfenberg Rieslings are known as the "Mosel wines" of the Rheingau because of their delicacy of fruit and finesse. I would go one more by saying that the Weil Rieslings combine the power of the Rheingau with the delicacy and elegance of the Mosel--an incredible high-wire balancing act. But there's also a tremendous minerality and a piercing intensity that one rarely encounters in any other white wine (Grand Cru Chablis from one of the best producers comes close). The phrase "liquid light saber" comes to mind.

Perhaps the character of the Weil Rieslings can partially be explained by the fact that the wines are done completely in stainless steel. The only wood in the cellar is reserved for the 4,000-5,000 bottles of Pinot Noir sold exclusively at the estate. In my experience stainless steel gives young Riesling a focus and angular intensity quite unlike wines fermented in the more traditional large barrels. The other ingredients of the Weil recipe are equally vital: low yields in the vineyard with an average of 55 hectoliters per hectare over the last ten years. All harvesting is done by hand and the selection is incredibly rigorous--in some cases a berry-by-berry process. Once pressed, the must spends 12-14 hours clarifying before fermentation begins, and the fermentation itself is long, slow and gentle. During the two months prior to bottling, the young wines are racked 4-6 times into different tanks, always maintaining a constant temperature of four degrees C to prevent oxidation. The wines are filtered only once before bottling.

The sum total of all this tremendous effort is a collection of true vin de garde; incredibly concentrated and complex wines most of which will easily age for decades in a proper cellar. During the recent visit I was poured a taste of the 1971 Gräfenberg Auslese. Still showing green in the color, the 1971 was a remarkably complex glass of wine with plenty of life still ahead. I expect the same for the estate's brilliant 2001 vintage.

The 2001 vintage was the thirteenth consecutive year where all pradikat levels were made at the estate, itself a remarkable accomplishment. Here are my notes for the wines. In place of ludicrous (and useless) numerical scores, I have used a tasting chart created by Peter Granoff, MS. The chart is based on a one-through-seven scale (one being the lowest and seven the highest) that covers, in order, the following criteria: intensity of flavor, dryness/sweetness, body, acidity, tannin, oak, and complexity. Thus a light bodied wine will be listed as 2 or 3 in the third slot, while a rich, full-bodied wine will weigh in at 6 or 7. Likewise, a bone-dry wine will be listed as 1 in the second slot while an intensely sweet wine (such as a BA or TBA) will rate a 6 or 7. And so on and so forth. I've also subdivided the notes into sight (S), nose (N), and palate (P) with the numbers of the tasting chart listed afterwards.

Tasting Notes:

2001

1. QbA Trocken (not chaptalized)
S: Medium straw green.
N: Pineapple/lemon touch floral.
P: Seamless and elegant. Tart apple and long mineral finish.
4-2-3-6-1-1-4

2. Kabinett Trocken
S: Pale straw green.
N: Floral, pippin apple, kiwi, earth/mineral. Reductive, closed.
P: Mineral front and center. Lemon/pepper/mineral finish. Very precise and focused.
4-1-3/4-6-1-1-4+

3. Spätlese Trocken
S: Pale straw green.
N: Lemon curd, floral, mineral.
P: Liquid light saber. Piercing fruit and acidity. Intense minerality but elegant and seamless. Long, persistent.
5-1-4-7-1-1-5

4. Gräfenberg Erstes Gewächs
S: Medium straw green.
N: Pear/lemon curd, white pepper, floral, mineral.
P: Racy, intense, lithe. Porche-like. Very high acid and great length. Impressive.
5-1-4-7-1-1-5/6

5. Rheingau Riesling Kabinett Halbtrocken
S: Medium straw green.
N: Pear/kiwi, floral and mineral.
P: Clean, crisp, focused.
4-2-3-7-1-1-4

6. Rheingau Spätlese
S: Very pale straw green.
N: Floral, kiwi, pippin apple, mineral.
P: Essence of tart pippin apple. Juicy, mouthwatering. Long intense mineral finish.
5-4-3-7-1-1-5

7. Gräfenberg Spätlese
S: Medium straw green.
N: Guava/kiwi with touch of pear, floral and mineral.
P: Pedigree with a capital "P". Rich, vibrant, intense, focused. Long finish with bracing acidity and pronounced minerality.
5-4-3-7-1-1-5+

8. Gräfenberg Auslese
S: Medium straw green.
N: Honey, nectarine, guava, pepper-mineral.
P: Powerful with quite a bit of botrytis. Stonefruits, honey, mineral. Long, intense finish.
6-6-4-7-1-1-6

9. Gräfenberg Auslese Goldkap
S: Medium straw green.
N: Butter, honey-mineral with ripe stonefruits and tangerine.
P: Declassified BA--rich, viscous and complex. Succulent rocket fuel.
6-6-4-7-1-1-6+

10. Gräfenberg BA
S: Medium yellow green.
N: Botrytis abyss. Honied stone fruits, tangerine marmalade, oolong tea, mineral.
P: Staggering concentration of fruit. Incredibly sweet but not cloying. Easily 30-40 years in the cellar. Thrilling.
7-7-4-7-1-1-6/7

11. Gräfenberg Eiswein
S: Pale yellow green.
N: A blast of ripe pear/green apple, celery-vegetal, honey and mineral.
P: Ambrosia with a jet pack. Bracing acidity. Remarkable length. Insulin shock wine.
7-7-5-7-1-1-6

Copyright © May 2002 Tim Gaiser, MS

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