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How
many times have we heard the statement Germany cant make a
serious bottle of dry wine hogwash we say. While Riesling
wines with residual sugar have made great progress the past two vintages,
we stand firm in our belief Germany can make world class dry wine too.
Even the latest Wine Spectator (11/15/03 page 50) eludes to Germanys
Dry Revolution saying The Pfalzs 2002 vintage demonstrates
that the dry style has a bright future in Germany.
For years we dabbled with Rheingau Charta and Erstes Gewächs selections
and most recently with Pfalz Grosses Gewächs wines, but progress
has been slow going. While frustrating, we havent given up, and
continually look for new opportunities to open the door for Germanys
great dry wines. Our latest idea; uncover a new estate where the focal
point would be top dry Rieslings with the hope of bringing more attention
to the category.
First,
find a benchmark dry Riesling producer from the Pfalz, knowing the regions
additional concentration and power would be a stylistic fit in the American
market. Before making a final decision we would also travel to Berlin
and attend the 2003 Grosses Gewächs tasting, reviewing 50+ wines.
After even more tastings and a great deal of consultation with friends
in Germany, it was clear Ökonomierat-Rebholz was the estate we wanted.
At the helm is Hansjörg Rebholz, star pupil of the now retired Hans-Günter
Schwarz of Müller-Catoir fame. Many colleagues regard Rebholz as
one of the finest dry Riesling estates in Germany today. In addition Hansjörg
is highly praised by both the international and German press alike, fans
include Hugh Johnson, Jancis Robinson, Stuart Pigott, Eichelmann, Gault-Millau,
and Bruce Sanderson of Wine Spectator (see 11/15/03 issue page 50).

We
begin by offering Rebholzs two best Rieslings, from the Kastanienbusch
and Im Sonnenschein vineyards, expected to arrive late November
2003. Both selections have tremendous depth and power, yet retain a filigreed
characteristic that belies their dimension.
Soil differentiates,
the " being more aggressive with a firm and persistent earthen mineral
structure. While "Im Sonnenschein" is more elegant, looser knit
and fine.
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